Immersive Suite

Build a space around the mix. Shape the tail, early reflections, and height, then balance the wet signal across individual speakers.

• Hall, Ambient, Chamber, Room, and Plate modes
• Decay, pre-delay, damping, modulation, and wet filters
• Width, depth, height, and a per-speaker wet output mixer
• Preset-safe Dry/Wet lock for inserts and aux returns

Place rhythmic repeats across the speaker field. Combine multiple taps, tempo sync, tone shaping, and motion for anything from clear echoes to diffuse textures.

• One to four taps with adjustable spread
• Free timing or tempo-synced straight, dotted, and triplet divisions
• Circle, Square, or Random motion with crossfeed and diffusion
• Per-speaker wet levels and preset-safe Dry/Wet lock

Control peaks without losing sight of the multichannel image. Set input drive and output ceiling independently, then choose how channels share gain reduction.

• Independent Threshold and Ceiling controls
• True Peak and Sample Peak processing modes
• All Linked, Stereo Pairs, Bed Linked + LFE Independent, and Dual Mono linking
• Per-channel meters, held maxima, and gain-reduction history

Peak limiting is not automatic loudness normalization. Use Meter to assess the resulting programme loudness.

See the levels and the bigger picture. Follow channel peaks, programme loudness, true peak, and loudness history while your session plays.

• Integrated, Momentary, and Short-Term loudness
• Loudness Range and True Peak readouts
• Per-channel sample peaks and scrolling history
• Informational target profiles and exportable reviews

Target profiles are reference checks, not delivery certification. Always confirm the current delivery brief.

Give the LFE channel its own frequency control. Adjust cutoff and slope while the rest of the multichannel bus passes through unfiltered.

• Dedicated LFE-channel processing
• Adjustable cutoff from 40 to 220 Hz
• 12, 24, 36, or 48 dB/octave slopes
• LFE spectrum, filter response, and input/output peak meters

Filter is not a bass-management crossover and does not redirect bass from the main speakers.

Monitor a speaker-layout mix on headphones. Inspect the directional feeds, turn the virtual listener, and adjust width and room contribution in a stereo binaural render.

• Speaker-layout inputs through 9.1.6 to binaural stereo
• Azimuth and elevation views
• Head yaw, speaker width, room amount, and output trim
• Input mixer with per-channel level, solo, and mute

LFE is intentionally excluded. Percept works with speaker channels, not ADM object metadata or per-object binaural settings.

Bring first-order B-format recordings into your speaker mix. Match the input convention, rotate the soundfield, and balance the decoded speaker feeds.

• Four-channel first-order B-format input: AmbiX or FuMa
• Speaker outputs from stereo through 9.1.6
• Yaw, pitch, and roll with azimuth and elevation views
• Per-speaker output mixer with level, solo, and mute

Ambi decodes first-order B-format, not raw microphone A-format or higher-order ambisonics. It does not author ADM objects.

Check the exported file outside the session. Analyze supported ADM BWF/BW64 programmes and keep the results, measurement path, and source details together in a report.

• Offline analysis of supported ADM BWF/BW64 files
• Integrated and speech-gated loudness, Loudness Range, and True Peak
• Programme selection and explicit analysis-path reporting
• JSON and CSV report export

Spec is an independent analysis tool, not a certified delivery validator. It does not normalize or rewrite your audio, and not every ADM programme is supported.